The Oriana Consort: Home


Past Seasons
2007-2008


Fall 2007
In This Tyme of Chrystmas
Advent and Christmas choral music from the 17th, 20th, and 21st centuries

Sunday, Dec. 2, 2007; 5:00 pm
Swedenborg Chapel
Quincy & Kirkland St

Cambridge, MA

Saturday, Dec. 8, 2007; 8:00 pm
First Lutheran Church of Boston
Berkeley & Marlborough St

Boston, MA


Three motets for Christmas Day

William Byrd (c. 1543-1623)

Mass in g minor

Ralph Vaughan Williams (1872-1958)

Three Christmas settings

Abbie Betinis (b. 1980)

Cantatas for Advent and the Nativity
    accompanied by Baroque violins and continuo

Dietrich Buxtehude (1637-1707)

Suggested donation $15, Students & Seniors $10
GBCC VIP Discount Card applies


Spring 2008
Baroque Legacies
Innovations in choral music of the Baroque era, and their echoes in choral music of the 20th century

Sunday, April 6, 2008; 5:30 pm
Swedenborg Chapel
Quincy & Kirkland St

Cambridge, MA

Sunday, April 13, 2008; 5:30 pm
First Lutheran Church of Boston
Berkeley & Marlborough St

Boston, MA


Libera me, Domine

Giovanni Pierluigi da Palestrina (1525?-1594)

Domine, exaudi

Andrea Gabrieli (ca. 1533-1585)

Sanctus
    with an ensemble of period instruments

Giovanni Gabrieli (1557-1612)

Beatus vir
    with an ensemble of period instruments

Claudio Monteverdi (1567-1643)

Ye shall have a song

Randall Thompson (1899-1984)

Cantata BWV 150: Nach dir, Herr, verlanget mich
    with an ensemble of period instruments

Johann Sebastian Bach (1685-1750)

A Child's Prayer

James MacMillan (b. 1959)

Psalmo Brasileiro

Jean Berger (1909-2002)

Suggested donation $15, Students & Seniors $10
for discount advance tickets
GBCC VIP Discount Card applies

   
The graphic in the Oriana Consort's logo is the concluding flourish in the signature of Queen Elizabeth I of England, to whom Thomas Morley, in 1601, dedicated his madrigal collection The Triumphes of Oriana.